1. INTRODUCTION
When a sound is emitted in an enclosed space an audience will perceive the combination of the direct sound and the subsequent multiple reflections and absorption of the sound by the walls as reverberation. Humans possess astonishing capabilities for perceiving and appreciating a surrounding aural space [1], [2] and acoustic reverberation is a significant part of our everyday aural experience. In applications such as speech recognition or automated music transcription engineers regard reverberation as a nuisance and a great deal of the research literature is focused on how to remove or partly mitigate its effects [3]. On the other hand, for musicians centuries of tradition have led to an appreciation of musical space as an indispensible creative tool for creating music and many musical compositions are composed for specific aural spaces [4].