I. Introduction
A visit to heritage sites exposes the casual visitors to the architecture and other artifacts of the past, and excites them by creating connections to historical events, accounts, and even anecdotes. Students and professionals of related disciplines, such as archaeology and architecture, benefit by making deeper studies and possibly finding connections among various historical trends and even modern ones. However, physical visits, especially to remote sites, can be challenging and even unaffordable. Further, removing artifacts from their original location may not always be feasible/desirable. In response, major museums, including the Louvre at Paris, have begun virtual exhibition [1]. The Open Heritage Program, a collaboration between Google Arts & Culture and CyArk, has introduced virtual tours of numerous UNESCO world heritage sites [2]. In India, the Digital Hampi initiative of the Department of Science and Technology, Government of India, digitally modeled and displayed the eponymous heritage site, including at the International Heritage Symposium and Exhibition (IHSE), 2020 [3]. Virtual exhibitions, in addition to addressing the aforementioned issues, have also opened up new possibilities. Specifically, large monuments can now be experienced at various scales, from virtual walkthroughs around the entire structure as well as larger parts such as rooms, domes and minarets, to views and geometry of ornate columns, to even the minutest details of various patterns and motifs, all on the same visualization platform such as a virtual reality (VR) headset (see, for example, Figure 1). This remarkable functionality, however, throws up certain new challenges, tackling one of which constitutes the main objective of this paper.