I. Introduction
The late Dada Saheb Phalke introduced motion pictures to India by showing the movie “Raja Harishchandra” around the 1910s. He is regarded as the “Father of Indian Cinema” as well. He had no notion that he was producing a work of art whose voice would echo throughout the entire planet, despite the fact that it was a silent film. Thanks to his initiative, a lot of filmmakers in our nation became well-known. On March 14, 1931, Ardeshir Irani's film Alam Ara was released, and “Kisan Kanya,” a film by Moti B. Gidwani, released in 1937, also planted the seeds of color cinema. The period from the 1940s through the 1960s admiring the dissolution of the British Raj is known by the moniker “The Golden Era” in Indian cinema. Filmmakers such as Satyajit Ray, Ritwik Ghatak, Mrinal Sen, and many more from Bengal were the forerunners and key contributors during this period when parallel cinema first emerged. Parallel cinema was created because of the inspiration of Indian theatre and Bengali literature, and its inspiration was promoted throughout much of the nation. Speaking of the film production process, many changes happened, and Indian filmmakers have been successful in adjusting to this changing industry. However, the Indian diaspora has also made a significant contribution to the success of Indian cinema on a global scale. Indian films have always been rich, and they will remain rich in terms of tradition, content, market share, and the impressions they leave on a large audience around the world. [1]. The canon of international film includes a very special place for Indian cinema. With the restoration of Indian cinema, present and future generations will once more rediscover the success of these films, which have mesmerized viewers for years.